Tim and Eric’s Billion Dollar Movie

Tim and Eric offload their landmark television series into a movie which begins with a dig at the movie audience and then brilliantly deconstructs Johnny Depp’s onscreen persona. It takes on new age gurus and cuts to the core of depictions of organized crime (corporations). It has a far better take on the post-apocalyptic shopping mall than any zombie movie ever has. It takes on marketing, managerial zest, and anything else it can get its nervous masturbating hands on.

In the world of Tim and Eric everything is damaged. From the worn lined faces reminiscent of exhausted porn actors to the deeply panicked behavior to the insane ambition, Tim and Eric can now be a show because the nightmare people used to warn against went unheeded, and now its coming true. Tim and Eric may be deemed the final warning, the final laughter before the tears, or the final real laughter before the endlessly tragic radio dj laughter overtakes us all. The shine of Kawaii Sensation to cover up the cruel nasty mean grime, the false hope of a shower to wash away the pain, the feminine cuteness of Mickey Mouse to console us from the harsh apocalyptic reality, the remade faces and remade breasts and permanent children and permanent disaster.

Perhaps the most interesting topic handled by the movie is the deconstruction of the lackeys to the elite. They are monsters who make and re-make themselves solely for their own material ambition, who cleanse the unwanted within a vision of a bright new shopping mall – mirroring the remaking of New Orleans and the dreams of a “new Iraq”, among countless other examples. The movie tells us that the original managers of the “brave new world” are lost among dreams of adolescent escape and have fled the scene, leaving Hollywood types who don’t know anything other than to maximize profit and brutalize anything which gets in their way. The more progressive their vision, the greater the brutality. The final scene and message of the film is that the owners always get their money – or else, but the film paints the lackeys, the middle men, the global middle class, the cheerfully smiling perverse utterly miserable managers with their vision of remaking the world as the driving force behind the terrors of the world.

It’s difficult to imagine a better comedy or a better movie being released this year.

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